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RAFFAELLO Sanzio St John the Baptist oil painting


St John the Baptist
Painting ID::  51263
RAFFAELLO Sanzio
St John the Baptist
c. 1518 Oil on canvas, 165 x 147 cm

   
   
     

RAFFAELLO Sanzio Psyche Offering Venus the Water of Styx oil painting


Psyche Offering Venus the Water of Styx
Painting ID::  51284
RAFFAELLO Sanzio
Psyche Offering Venus the Water of Styx
1517 Red chalk, 263 x 197 mm

   
   
     

RAFFAELLO Sanzio St Paul Preaching in Athens oil painting


St Paul Preaching in Athens
Painting ID::  51286
RAFFAELLO Sanzio
St Paul Preaching in Athens
Tempera on paper, mounted on canvas, 390 x 440 cm

   
   
     

RAFFAELLO Sanzio The Handing-over the Keys oil painting


The Handing-over the Keys
Painting ID::  51287
RAFFAELLO Sanzio
The Handing-over the Keys
1515 Tempera on paper

   
   
     

RAFFAELLO Sanzio The Death of Ananias oil painting


The Death of Ananias
Painting ID::  51288
RAFFAELLO Sanzio
The Death of Ananias
1515 Tempera on paper

   
   
     

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     RAFFAELLO Sanzio
     Italian High Renaissance Painter, 1483-1520 Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,

     Related Artists::.
     | BORSSUM, Anthonie van | Giovanni Domenico Cerrini | Isidoro Bianchi |


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